Cherri Bomb This Is The End Of Control Rare

  
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Get the embed code Cherri Bomb - This Is the End of Control Album Lyrics1.Take This Now Lyrics2.Raw. Lyrics3.Hold On Lyrics4.Paper Doll Lyrics5.Heart Is a Hole Lyrics6.Drawing a Blank Lyrics7.Act the Part Lyrics8.Sacrificial Lamb Lyrics9.Too Many Faces Lyrics10.Let It Go LyricsCherri Bomb Lyrics provided by SongLyrics.com Note: When you embed the widget in your site, it will match your site's styles (CSS). This is just a preview!

It's all too easy for all-girl rock bands to be fetishized just for being who they are (not to mention how depressing it is when the bands play into it too much), but this isn't a problem for. Edgy-girly name aside, the band doesn't wield its gender or sexuality as an entrance into its music. Yes, is an all-female band, and yes, the members were in their teens when they recorded this album, but they don't need to emphasize either of those facts to make compelling music. The band's full-length debut proves that is a straight-ahead rock band with talent, a rarity in the 2010s no matter how old or what sex the people in the band are. And company can rock with the best of them: 'Hold On' boasts some fearsome fretwork while 'Drawing a Blank' is as angry as it is fun, with tumbling riffs and breakneck drums courtesy of. 'I don't want your opinion' sneers on the threatening, taunting 'Shake the Ground'; later, she's clever and empowering on 'Paper Doll' ('I'm not here to break your fall/I won't be your paper doll'), one of the few songs where uses typically feminine imagery to hit its point home.

Carl Zeiss Jena Deltrintem 8x30 Binoculars Serial Numbers. Every now and then, the band sweetens its sound with some pop leanings; 's commanding vocals suggest 's in a particularly fierce frame of mind, especially on 'Too Many Faces,' while the album's sole ballad 'Heart Is a Hole' would do proud. Fittingly, though, sounds most natural when it feels like the band is ready to explode, as on 'Raw. And 'Better This Way.' Even when the group's influences bubble to the surface, still brings its own touch to those sounds, as on 'Let It Go's -esque, anthemic rush or 'Sacrificial Lamb's -like swampy stomp, on which is both lamb and lioness. 's only flaw, if it can be called one, is that its songs are almost too tightly written, to the point where it's easy to tell when a chorus or bridge will pop up; fortunately, though, most tracks stay on the familiar side of predictable instead of boring. Is an impressive debut -- make accessible music that nevertheless challenges perceptions about young female artists, and while the band's talent should guard against them being treated like a novelty, the most rebellious move the women of may make is just being who they are.